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Gowanus Crossing: A Brooklyn Boyhood
by Vincent Coppola
Sponsored
Synopsis
Midcentury decades before the Whole Foods went up and the lofts were refurbished, a raucous, unruly, proudly Italian-American enclave clings to the banks of the noxious canal. The Mafia and the Catholic Church—two centuries-old, rigidly-hierarchical institutions defined by oppressive codes of ...
Midcentury decades before the Whole Foods went up and the lofts were refurbished, a raucous, unruly, proudly Italian-American enclave clings to the banks of the noxious canal. The Mafia and the Catholic Church—two centuries-old, rigidly-hierarchical institutions defined by oppressive codes of silence—dominate the neighborhood.
In Gowanus Crossing, Vincent Coppola brings the world of his childhood ferociously to life. A former Newsweek correspondent with bylines in outlets like Esquire and Rolling Stone, Coppola grew up in old Gowanus, a bookish kid for whom Park Slope, to say nothing of Central Park, might as well have been the moon. His journey through and eventually out of the neighborhood is both harrowing and hilarious, and populated with a cast of characters who burst off the a four-foot tall wiseguy who walks a lion on a leash, a predatory priest, mobbed-up undertakers, Coppola’s three wayward brothers, and a host of assorted schemers, scammers, mobsters, bookies, gamblers, and certifiable crazies.
Combining Frank McCourt’s gimlet eye for gritty reality with the exuberant menace of a Scorsese movie, Gowanus Crossing captures a lost world in all its gritty glory.
In Gowanus Crossing, Vincent Coppola brings the world of his childhood ferociously to life. A former Newsweek correspondent with bylines in outlets like Esquire and Rolling Stone, Coppola grew up in old Gowanus, a bookish kid for whom Park Slope, to say nothing of Central Park, might as well have been the moon. His journey through and eventually out of the neighborhood is both harrowing and hilarious, and populated with a cast of characters who burst off the a four-foot tall wiseguy who walks a lion on a leash, a predatory priest, mobbed-up undertakers, Coppola’s three wayward brothers, and a host of assorted schemers, scammers, mobsters, bookies, gamblers, and certifiable crazies.
Combining Frank McCourt’s gimlet eye for gritty reality with the exuberant menace of a Scorsese movie, Gowanus Crossing captures a lost world in all its gritty glory.
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